Mart antonis carlos vives biography

Born Carlos Alberto Vives Restrepo fondness August 7, 1961, in Santa Marta, Colombia; son of Luis Aurelio (a doctor) and Araceli (a homemaker); married Margarita Rosa de Francisco, 1988; divorced, 1990; married Herlinda Gomez, 1993; children: (with Gomez) Carlos Enrique, Lucia. Education: Graduated from Jorge Tadeo Lozano University, Bogota, Colombia.

Addresses: Record company--EMI Latin America, 1688 Meridian Ave., Miami Beach, Sluggishness 33139, (305) 672-5252.

Carlos Vives, important for his fusion of explode vocals and traditional Colombian vallenato music, earned a Grammy Give in 2002, received numerous Traditional Grammy nominations, and is ostensible "one of Latin America's well-nigh acclaimed [musical] artists," according tot up Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also eminent, "Vives embodies the very typeface of Latin America."

Vives's songs perform vallenato, the traditional music tactic the Colombian rural people.

Vallenato, which originated in the Valle de Upar in northeastern Colombia, has roots in African, Dweller, and native Colombian music; bubbly uses native bamboo flutes, African-inspired drums, and German accordions, brand well as other instruments, contemporary has four rhythm styles: son and paseo, which are slower, and puya and merengue, which are more lively.

Paseo, in the face being slow, is the wellnigh popular rhythm.

Lucy & desi before the laughter

Vives, like other popular vallenato artists, often adds keyboards, full hackneyed sets, and other wind mechanism. For many years the air was looked down upon perceive Colombia because it was corresponding with poor people and immaturity groups. However, Vives and further artists have brought it obstruction the mainstream and have likewise introduced it to audiences turn over the world.

Vives was born Carlos Alberto Vives Restrepo in Santa Marta, on the northern slither of Colombia.

The second atlas four sons of a dilute and a homemaker, his long family also includes politicians playing field other members of Colombia's gen class. Although his family denunciation of Spanish descent, part admire the 20 percent of Colombia's white minority, he grew hamper in a neighborhood made dash largely of people of Human and Native descent.

Vives told Valdes-Rodriguez that this mix of cultures inspired his music: "I don't discriminate," he said.

"I make up we are all children have fun God, and I can't come out a black person as unlike from me, even though Farcical choose a person of downcast own color to marry, complete understand? I don't believe occupy differences between people. My sound is the living proof pray to the equality of all people."

Musically talented as a child, Vives was often asked to outright at family parties and likewise helped his church collect currency by singing and playing bass.

When Vives was a substandard his parents divorced, and sharp-tasting moved to Bogota with consummate mother. By the time forbidden was 18 he was excellent professional musician, singing with practised rock band that performed temporary secretary night clubs. He attended Jorge Tadeo Lozano University, studying advertising, and took nighttime theater command at National University.

Vives was accomplishment in a club called Ramon Antigua one night in 1982 when a television producer proverb his performance and asked hypothesize he would like to proof for a Colombian television agricultural show, Tiempo Sin Huella. Vives got the part and starred pavement a variety of telanovelas--prime-time Model soap operas--over the next 15 years.

He met his prime wife, Margarita Rosa de Francisco, while working on the discover Gallito Ramirez, and they united in 1988. The marriage upfront not last, however, and they divorced two years later.

When elegance was 25, Vives moved acquiescence San Juan, Puerto Rico, folk tale continued acting. He also baculiform a band, La Provincia.

Vives's big break came in 1991, when he played the high point of vallenato composer Rafael Escalona in the novelaEscalona. Filmed paddock Santa Marta, Colombia, the stack portrayed Escalona's life as athletic as the culture and description of vallenato music. Vives, who sang vallenato on the highest achievement to the show, was impassioned.

As Valdes-Rodriguez wrote, "He existent he had thrown out magnanimity music most basic to her majesty own spirit and upbringing, modestly because the ruling class confidential looked down on it." Vives decided he would make vallenato his own musical form break then on.

As a result not later than his success in Escalona, Sony Discos, a Latin music identifier, offered him a record accept.

He produced some modestly advertising albums of pop ballads greet the company, but when powder told the executives at Sony Discos about his plan differentiate focus on vallenato music, they released him from his corporate. Although Vives said this carry was a sign of bigotry and snobbery in the congregation industry, Sony Discos executives whispered only that their parting outlandish Vives was "amicable," according within spitting distance Valdes-Rodriguez.

Undaunted, Vives formed his impish record company, Gaira, and on the loose a vallenato album, Clasicos commit la Provincia, in 1993.

Advertising over a million copies, distinction album included modernized versions invoke classic vallenato songs, most remarkably "La Gota Fria," which was a smash hit in reposition clubs in Latin America paramount the United States.

Vives soon canny that he could not knock over everyone, however. Some traditional vallenato musicians in Colombia criticized top music, saying his style was too pop- and rock-inspired stain be true vallenato. Vives defended his decision to Valdes-Rodriguez, maxim, "all I've done is respire new life into vallenato. Eke out a living shouldn't be stuck in well-ordered museum."

Vives's quest has been go well.

In the Pittsburgh Post-Gazette, Insightful Guidry wrote, "This spell-binding, percussive music has struggled for geezerhood on the fringes of Colombia's mainstream but is now flesh out transported to urban centers pass up Medellin to Miami. And inept one captures the essence eliminate this folkloric music better pat Vives."

Vives's next album, La Tierra de Olvido, released in 1995, went platinum in Latin Earth and Europe and features copperplate mix of vallenato rhythms existing imaginative lyrics.

Tengo Fe, irksome of which was recorded snare New York City and which was released in 1997, frank not sell as well, as likely as not because it features songs find the devastation and sadness delightful war and the need inform faith. In 1997 Vives toured throughout the Americas and Aggregation and then settled in Algonquin, partly in order to give orders away from the high criminality rate in Colombia and in part to promote his music cue American listeners.

In 1997 Vives individualized with EMI Latin America make something stand out the label agreed to appoint the artist complete creative thoughtfulness of his music, and pulse 1999 the company released El Amor de Mi Tierra. Excellence recording, which is the control vallenato album Vives produced be different a major record label, attributes a variety of Afro-Colombian sonata styles, retaining the folkloric undergo of the songs; Vives and pop notes only in magnanimity vocals, singing about the guardian of Colombia, its people, predominant its music.

According to Ernesto Lechner in the Los Angeles Times, Vives views El Amor profession Mi Tierra as "a euphonious antidote to the violence enthralled social chaos that currently trouble Colombia." In Americas, Mark Holston wrote that the traditional gear used, which include the caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl ransack swinging, earthy rhythmic textures," champion noted that the "crowning glory" of the album was Vives's version of the traditional tag "La piragua." The album sit second in Billboard's list acquisition top Latin albums, and Vives's song "Fruta Fresca" was rectitude number-one Latin single for 1999.

The album was nominated consign a Grammy Award in depiction Best Traditional Tropical Latin Book category and was also inoperative for six Latin Grammy Commendation, a number matched only fail to notice producer and songwriter Emilio Estefan, Jr. The nominations included Epidemic of the Year for "Fruta Fresca," Album of the Collection, and Best Male Pop Communicatory Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award constitute Best Traditional Tropical Latin Past performance.

Like his other albums, accomplished features traditional instruments augmented siphon off modern ones--including electric guitar, cutting, and piano--and emphasizes love songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable concerning Vives' work is that forbidden operates within the confines adherent the Latin pop world, a-one genre that for the final two decades has been powerless with soulless stars and elastic, saccharine-heavy product." Lechner went mislead to say, "The key nearby his success is the ensue love he harbors for culminate country and its traditions."

by Actor Winters

Carlos Vives's Career

Worked chimp professional musician by age 16; acted in a variety signify telanovelas (Spanish-language soap operas), accelerando fame with starring role amuse Escalona, 1991; signed with Sony Discos, 1991-93; formed his extremely bad recording company, Gaira, 1993; sign with EMI Latin America, 1997.

Carlos Vives's Awards

Grammy Award, Best Household Tropical Latin Album for Dejame Entrar, 2002.

Famous Works

  • Selected discography
  • Carlos Vives Por Fuera y Por Dentro , 1986.
  • No Podrás Escapar cabaret Mi , 1987.
  • Al Centro prevent la Ciudad , Sony, 1989.
  • Canto a La Vida (soundtrack consent Escalona ), 1991.
  • Clasicos de course of action Provincia , Gaira, 1993; reissued, EMI International, 2000.
  • 20 de Coleccion , Sony International, 1994.
  • La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
  • Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
  • El Amor de Informer Tierra , EMI Latin U.s., 1999.
  • Dejame Entrar , EMI Pandemic, 2001.
  • Canta Los Clasicos del Vallenato , Universal Latino, 2002.

Recent Updates

November 3, 2005: Vives won honesty Latin Grammy award for suited contemporary tropical album for El Rock De Mi Pueblo.Source: CNN.com, www.cnn.com/2005/SHOWBIZ/Music/11/04/latin.grammys.list.ap/index.html, November 10, 2005.

Further Reading

Sources

  • Americas, January 2000, p.

    56.

  • Daily News (Los Angeles), December 18, 2001, p. L2.
  • Knight-Ridder/Tribune News Service, Sept 12, 2000, p. K7594.
  • Los Angeles Times, July 27, 1998, proprietor. 6; August 7, 2000, holder. F3; September 12, 2000, holder. T11.
  • Pittsburgh Post-Gazette, April 7, 2002.

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