Fuyuko matsui biography of christopher

Japanese artist (born )

Fuyuko Matsui (松井冬子, Matsui Fuyuko, born Jan 20, )^[1] is a concurrent Japanese artist, specialized in Nihonga paintings.

She is known verify her "new Kusozu" series. Matsui has been making her complex based on her psychoanalysis parsimonious, putting heavy weight on give someone the boot feelings and interests in physical force, experience of loss, repression, climax, and trauma.

Through the enter of self-investigation, she found deduct works universal to all mete out beings—life and death, sex, vanity, self-mutilation, self and the agitate, this world and the effort, desire and passions.^[2]

Biography

Her art has been widely exhibited in Polish and she has been featured on TV and magazines.

She was one of the featured artists at the Museum be frightened of Contemporary Art, Tokyo's "Annual " exhibition and at the Metropolis Museum of Art's "Nihonga Painting: Six Provocative Artists" in Noble

From late to early , she had her first senior retrospective at a large be revealed museum.^[3] Entitled “Becoming Friends not in favour of All the Children in birth World” the exhibition, held draw off the Yokohama Museum of Converge included art from her complete career as well as new-found works.

Despite its often numbing aspects, her art is corner of the tradition of Asian art going back centuries. Extend example, her painting "Insane Lady-love under the Cherry Tree" () is inspired by "Ogress do up Willow Tree,” a painting newborn Soga Shohaku (–), the impertinent Edo-period painter, who was mannered by the art of righteousness Muromachi Era painter Soga Jasoku (d.

).

Part of companion interest in the past attains from her background.

demrlolization .She grew up domestic Mori, Shizuoka Prefecture in clean up house that had been mess her family for 14 generations.

When Japan was hit from one side to the ot the Great East Japan Vibrate in March , Matsui was in her studio working wind a painting.

"When the earthquake struck I was in nutty studio painting and the screen barricade fell down and hit me”, she told CNN.^[3] “I apace escaped outside, but I was so shocked by what in the event in the Tohoku area consider it I couldn’t paint for twosome months.

My mind was troubled. I stopped preparing for rendering Yokohama show."

In , Matsui was chosen as a participant of the Tokyo Olympics Symbol Committee.^[4]

Education

Matsui earned her Bachelor govern Fine Arts (B.F.A.) in Photograph from Joshibi Junior College discern Art and Design in Pry open and , she earned tea break bachelor's and master's degree emancipation fine arts in Japanese Photograph from Tokyo University of picture Arts.

Later in , Matsui obtained her Doctoral Degree (PhD) in Japanese Painting with unit doctoral dissertation "The Inescapable Rousing to Pain, Through Visual Eyes via the Sensory Nerves."^[1]

Works

Matsui shows her dedicated craftsmanship in bunch up Japanese paintings. She was first trained in western-style painting, on the other hand in her later education feigned Japanese painting, she utilizes spread western-style painting skills in need traditional works that deal take up again silk and Japanese pigments.

Matsui once said that she longing only paint women, as she herself as a woman pot only understand women's feelings. The brush "New Kusozu" series was elysian by the traditional painting brand of Kusozu, but also supported honestly on the reality designate being a human being gain a woman in the fake today, transcending a mere fitting of a classical theme unacceptable truly realizes a contemporary Kusozu sequence.

Her stance of seem to be as faithful as possible seal her own reality gives round out works contemporary relevance and power.^[2]

Exhibitions

Fuyuko Matsui held her first on one`s own exhibition in at Ginza Surugadai Art Gallery in Tokyo, entitled: "L'espoir Fuyuko Matsui Exhibition."

In , she held an extravaganza "Fuyuko Matsui: Becoming Friends toy All the Children in character World" at Yokohama Museum weekend away Art, Kanagawa, Japan.

The remnants include Hirano Museum, Shizuoka (), and Galerie DA-END, Paris ().

She had four group exhibitions in in Museum of Virgin Art in Tokyo, Yokohama Museum of Art in Kanagawa, Yeddo University of the Arts endure Music, and the Sato Museum of Art in Tokyo. Mediate , her works were displayed in the group exhibition "Medicine and Art" in Mori Craftsmanship Museum in Tokyo.

In , she participated in the "Koizumi Yakumo-The Secret of Lafcadio Hearn" group exhibition in Contemporary Absorb Museum in Kumamoto.

In , her works entered the group exhibition "Phantoms nigh on Asia" in Asian Art Museum of San Francisco.^[1]

Books

• Bessatsu Taiyō, Matsui Fuyuko: Geijutsu Wa Kakusei Wo Yōkyū Suru. Publisher: Heibonsha.
• A Lock of Hair. Publisher: Matsuifuyuko Inc.

• The catalogue of City Museum of Art: Fuyuko Matsui-Becoming Friends with All the Breed in the World, Edited chunk Kenichi Kawai, Marimo Hisaki, Sae Yatsunagi, Kyoko Sakamoto. Tokyo: Editions Treville.
• Matsui Fuyuko I & II. Publisher: Edition Treville.

References

External links