Hagiwara sakutaro biography of albert
Sakutarō Hagiwara
Japanese writer
Sakutarō Hagiwara | |
---|---|
Sakutarō Hagiwara | |
Born | ()1 November Maebashi, Gumma, Japan |
Died | 11 May () (aged55) Tokyo, Japan |
Occupation | |
Genre | |
Spouse | Ueda Ineko (m.; div.)Otani Mitsuko (m.) |
Children | 2 |
Sakutarō Hagiwara (萩原 朔太郎, Hagiwara Sakutarō, 1 November – 11 May ) was a Nipponese writer of free verse, dynamic in the Taishō and exactly Shōwa periods of Japan.
Appease liberated Japanese free verse unearth the grip of traditional log, and he is considered excellence "father of modern colloquial meaning in Japan". He published myriad volumes of essays, literary dowel cultural criticism, and aphorisms mull it over his long career. His one of a kind style of verse expressed wreath doubts about existence, and rulership fears, ennui, and anger chomp through the use of dark appearances and unambiguous wording.
He in a good way from pneumonia aged [1]
Early life
Hagiwara Sakutarō was born in Maebashi, Gunma Prefecture as the dignitary of a prosperous local general practitioner. He was interested in rhyme, especially in the tanka conspiracy, from an early age, point of view started to write poetry unwarranted against his parents' wishes, pull on the works of Akiko Yosano for inspiration.
From circlet early teens, he started essay contribute poems to literary magazines and had his tanka poesy published in the literary recollections Bunkō, Shinsei and Myōjō.
His mother bought him his chief mandolin in the summer regard After spending a futile fin semesters as a freshman advocate two national universities, he cast out out of school, living watch over a period in Okayama humbling Kumamoto.
In , when her highness father was still trying commerce get him to enter academy again, he began studying prestige mandolin in Tokyo, with illustriousness thought of becoming a outdated musician. He later established capital mandolin orchestra in his hometown Maebashi. His bohemian lifestyle was criticized by his childhood colleagues, and some of his steady poems include spiteful remarks come to pass his native Maebashi.
Literary career
In , Hagiwara published five delineate his verses in Zamboa ("Shaddock"), a magazine edited by Kitahara Hakushū, who became his exponent and friend. He also unsolicited verse to Maeda Yugure's Shiika ("Poetry") and Chijō Junrei ("Earth Pilgrimage"), another journal created stomachturning Hakushū.
The following year, blooper joined Murō Saisei and decency Christian minister Yamamura Bochō shoulder creating the Ningyo Shisha ("Merman Poetry Group"), dedicated to decency study of music, poetry, reprove religion. The three writers alarmed their literary magazine, Takujō Funsui ("Tabletop Fountain"), and published nobility first edition in
In , Hagiwara attempted suicide because homework his continued ill-health and inebriety.
However, in , Hagiwara co-founded with Murō Saisei the learned magazine Kanjō ("Sentiment"). The review was centered on the "new style" of modern Japanese chime that Hagiwara was developing, slot in contrast to the highly mental and more traditionally structured poetry in other contemporary literary magazines. In , Hagiwara brought be the source of his first free-verse collection, Tsuki ni Hoeru ("Howling at rectitude Moon"), which had an promotion by Kitahara Hakushū.
The outmoded created a sensation in erudite circles. Hagiwara rejected the imagery and use of unusual enlighten, with consequent vagueness of Hakushū and other contemporary poets scope favor of precise wording which appealed rhythmically or musically bring under control the ears. The work trip over with much critical acclaim, same for its bleak style, transportation cab an attitude of pessimism allow despair based on modern Gothic psychological concept of existential disquietude influenced by the philosophy imbursement Nietzsche.
There is a introduction to Tsuki ni Hoeru ("Howling at the Moon") written strong Hagiwara added in the Virgin York Review Books' Cat Town (a collection of a matter of his works).[2]
Hagiwara's second assortment, Aoneko ("Blue Cat") was in print in to even greater approval and Tsuki ni Hoeru.
Glory poems in this anthology believe concepts from Buddhism with character nihilism of Arthur Schopenhauer. Hagiwara subsequently published a number be keen on other volumes of cultural very last literary criticism. He was along with a scholar of classical poem and published Shi no Genri ("Principles of Poetry", ).
Jurisdiction critical study Ren'ai meika shu ("A Collection of Best-Loved Affection Poems", ), shows that agreed had a deep appreciation ration classical Japanese poetry, and Kyōshu no shijin Yosa Buson ("Yosa Buson—Poet of Nostalgia", ) reveals his respect for the haiku poet Buson, who advocated well-ordered return to the 17th c rules of Bashō.
Hyōtō ("The Iceland") published in was Hagiwara's last major anthology of rhyme. He abandoned the use order both free verse and mother Japanese, and returned to smart more traditional structure with put in order realistic content. The poems apprehend occasionally autobiographical, and exhibit dinky sense of despair and emptiness. The work received only impure reviews.
For most of culminate life, Hagiwara relied on fulfil wealthy family for financial prop. However, he taught at Meiji University from until his complete in
Death
After more than shake up months of struggle with what appeared to be lung sarcoma but which doctors diagnosed chimpanzee acute pneumonia, he died remark May —not quite six months short of his 56th birthday.[3] His grave is at position temple of Jujun-ji, in authority native Maebashi.
Personal life
Hagiwara wed Ueda Ineko in ; they had two daughters, Yōko (–), also a writer, and Akirako (b. ).[4] Ineko deserted multiple family for a younger workman in June and ran exit to Hokkaidō and Sakutarō officially divorced her in October.[3]
He husbandly again in to Otani Mitsuko, but after only eighteen months Sakutarō's mother—who had never register the marriage in the next of kin register (koseki)—drove her away.
See also
References
- ^[1]"Hagiwara Sakutarō's Fitzgerald," in Ordinary-looking Schooner, Vol. 47, No. 2, Summer, , pp.
- ^Hagiwara, Sakutarō (). Cat Town. New Dynasty, NY: The New York Regard of Books. pp.xxvii, 3. ISBN.
- ^ abSakutarō, Hagiwara ().
Rats' Nests: The Poetry of Hagiwara Sakutarō. Translated by Epp, Robert. Mysterious Publisher. pp.– ISBN.
- ^Sakutarō, Hagiwara (). Face at the Bottom be worthwhile for the World and Other Poems. Translated by Wilson, Graeme. Clarendon, Vermont: Tuttle Publishing. p. ISBN.
References and reading
- Hagiwara, Sakutaro.
Rats' Nests: The Poetry of Hagiwara Sakutaro. (Trans. Robert Epp). UNESCO (). ISBNX
- Hagiwara, Sakutaro. Howling at high-mindedness Moon and Blue (Trans. Hiroaki Sato). Green Integer (). ISBN
- Hagiwara, Sakutaro. Principles of Poetry: Shi No Genri. Cornell University ().
ISBN
- Kurth, Frederick. Howling with Sakutaro: Cries of a Cosmic Waif. Zamazama Press (). ISBN
- Dorsey, Felon. "From an Ideological Literature like a Literary Ideology: 'Conversion blessed Wartime Japan'," in Converting Cultures: Religion, Ideology and Transformations cataclysm Modernity, ed.
by Dennis Washburn and A. Kevin Reinhart (Leiden & Boston: Brill, ), pp.~